Fleda, with a bright face, hesitated a moment. "As if I were one of those bad women in a play?" Fleda read that last sentence over more times even than the rest; she was baffled—she couldn't think at all of what it might be. This was indeed because it might be one of so many things. She made for the present no answer; she merely, little by little, fashioned for herself the form that her answer should eventually wear. There was only one form that was possible—the form of doing, at her time, what he wished. She would go down to Poynton as a pilgrim might go to a shrine, and as to this she must look out for her chance. She lived with her letter, before any chance came, a month, and even after a month it had mysteries for her that she couldn't meet. What did it mean, what did it represent, to what did it correspond in his imagination or his soul? What was behind it, what was beyond it, what was, in the deepest depth, within it? She said to herself that with these questions she was under no obligation to deal. There was an explanation of them that, for practical purposes, would do as well as another: he had found in his marriage a happiness so much greater than, in the distress of his dilemma, he had been able to take heart to believe, that he now felt he owed her a token of gratitude for having kept him in the straight path. That explanation, I say, she could throw off; but no explanation in the least mattered: what determined her was the simple strength of her impulse to respond. The passion for which what had happened had made no difference, the passion that had taken this into account before as well as after, found here an issue that there was nothing whatever to choke. It found even a relief to which her imagination immensely contributed. Would she act upon his offer? She would act with secret rapture. To have as her own something splendid that he had given her, of which the gift had been his signed desire, would be a greater joy than the greatest she had supposed to be left to her, and she felt that till the sense of this came home she had even herself not known what burned in her successful stillness. It was an hour to dream of and watch for; to be patient was to draw out the sweetness. She was capable of feeling it as an hour of triumph, the triumph of everything in her recent life that had not held up its head. She moved there in thought—in the great rooms she knew; she should be able to say to herself that, for once at least, her possession was as complete as that of either of the others whom it had filled only with bitterness. And a thousand times yes—her choice should know no scruple: the thing she should go down to take would be up to the height of her privilege. The whole place was in her eyes, and she spent for weeks her private hours in a luxury of comparison and debate. It should be one of the smallest things because it should be one she could have close to her; and it should be one of the finest because it was in the finest he saw his symbol. She said to herself that of what it would symbolize she was content to know nothing more than just what her having it would tell her. At bottom she inclined to the Maltese cross—with the added reason that he had named it. But she would look again and judge afresh; she would on the spot so handle and ponder that there shouldn't be the shade of a mistake.!

"They'll read it first," said Mrs. Gereth. "What do you call the open, Mrs. Gereth?" Fleda demanded. Then as the other faltered: "Do you know where Mr. Owen is to-day?"

"Well, I am, and I'm the person most concerned. Of course I didn't use just those words: I was perfectly civil, quite as civil as she. But I told her I didn't consider she had a right to put me any such question. I said I wasn't sure that even Mona had, with the extraordinary line, you know, that Mona has taken. At any rate the whole thing, the way I put it, was between Mona and me; and between Mona and me, if she didn't mind, it would just have to remain." "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. "Why, of any reviving pleasure that one might feel in such an exhibition. I shall feel none at all. You may personally take it as you like; but what conceivable good will it do?"